Opportunities to see my paintings near and far

Well relatively far anyhow. Some of my work will be showing with Farmer Fine Arts at the Cambridge art fair this coming weekend. Andrew Farmer is a fine and ridiculously prolific painter himself and he invited me to exhibit with his gallery along with some real up and coming painting talent. Take a look at his site and even better if you can make to that part of the country take a look at the fair. Look out especially for Tom Stevenson and Maria Rose who are ones to watch for the future. I really ought to get some painting swaps sorted while I still can!

As well as some larger work I’ve packaged up some of my life class studies for the fair too.

HJ Ink and Brush

Closer to home I’ll be exhibiting with the Portishead Arts painters at the Portishead Lido Cafe again at the end of this month.

I’ll be showing some dinky little ship paintings that I’ve enjoyed creating over the last few weeks along with some recent plein air painting work fresh off the easel, yesterday in fact. I’m really enjoying this low winter sun.

P.s. if anyone has the Sky Arts channel then you might be able to spot me in the background of the recent episode of Landscape Artist of the Year. It was on last week but it should be on catch up. I’ve not seen it but I’ve seen some shared screen shots. I’m the one wearing an apron that looks like it’s been involved in some kind of dirty protest.

I was one of 50 wildcard entries painting Worm’s Head on the Gower, this was in addition to the 6 artists selected for that heat. It was a really enjoyable experience being in a group of artists who were all excited to be there. It was great to meet so many artists face to face and I hope our paths will keep on crossing. As a bonus we were able to park up the campervan in the crew field which had a spectacular view of Worm’s Head.

It was really interesting to see the programme being made and it was great to meet *spoiler alert* the heat winner Alice Boggis-Rolfe Art who I’ve followed on social media for a few years and knew my work too. But even better I got to speak to and shake the hand of Tai-Shen Schierenberg, one of the judges, I love his work. Unfortunately my painting didn’t work out so well, my foreground turned to non drying gravy, I painted over some of the brown mess when I got home, too late for the programme though. There’s always next year…

Worm’s Head, with repainted foreground!

The application process is open for next year already if you fancy giving it a go. I can really recommend it if you are able to make any of the heat locations.

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My Open Studio Weekends in Portishead

I’ll be opening my studio for North Somerset arts week again 11.00am to 6.00pm over the May Day Bank Holiday weekend (including BH Monday) and the following weekend, 29, 30 April, 1,6,7 May.

Hopefully there is something for everyone to enjoy, come along to browse, chat, listen, eat, drink or explore…

As in previous year’s Black Nore lighthouse will be open for visitors to climb inside during the afternoon while I’m open. This is accessible via the garden and I’ll be selling tea and cakes in support of its upkeep.

I’ll have many new plein air oil paintings of the local area and from further afield on show for the first time as well as a new studio paintings. Much of my new work is exploring the fast changing light at dawn and dusk.
I’ll also be showing some examples of my portraiture including a painting of my son that was recently preselected for the Royal Portrait Society show.


Lois Pryce (no relation) will be exhibiting with me for the first time. Lois paints local scenes, still lives and life studies in a bold expressive style that I hope you will enjoy.

Also I’ll have Raku pottery by Brian and “Nibs” Fowler, they’ll be exhibiting a range of vessels, bowls and figures that show this exciting medium off to the maximum. If you’ve never seen the Raku process before it’s fiery and unpredictable, there will be a couple of Raku burnings in the garden on the final Sunday when you’ll have an opportunity to scrub off the carbon yourself and reveal what the process has created.


Finally I’ll be showcasing some estuary soundscapes by a local producer Dave Howell to add to the atmosphere. When that’s not on I’ll be playing a bit of vinyl on my turntable, or LPs if you are my age.

So something for everyone, hope to see you there.

Thanks

Don’t forget you can also follow me on twitter and on Instagram @ianpriceart as well as Facebook @ianpriceart or just browse the updated galleries on my website.

Double Art – End of term life class report

I’ve just completed two terms of life classes and am taking the Summer off to get out in the fresh air and do some more plein air painting so a good time for a round up I think. I’ve attached a bumper pack of life class studies at the end of this post. 

For most of the time since October I’ve been focussing on double life model oil painted studies. I go to the Bristol Life class run by Will Stevens, the Bristol Grammar session he runs is famous in Bristol but there’s a sister session in Ashley Down (Brunel Field) that has a bit more space for me to set up an easel. One benefit of Will’s classes is that they have enough models to allow a double pose, usually at the long pose end of the room. 

When doing life painting it’s easy to fool yourself that you’ve nailed the colour mixing when you have come up with a convincing study, this is even more true in still lives or landscapes. However when I started doing the double poses I found that I’d been deluding myself, I found my flesh tones were convincing tonally but when you are confronted with two models you suddenly realise there’s a whole new world of subtlety in skin colour that I hadn’t appreciated, this is even true between two “white” models. By having the two models next to each other you’re forced into mixing a true skin colour that complements or contrasts accurately with their neighbour, or to put it another way you can see you’ve got it wrong more clearly. You can no longer get away with them being tonally close enough when working with a pair of models. Obviously none of this matters if you haven’t got the models in front of you when you are looking at the painting but I’ve always treated a life class as a learning and improving exercise and I found painting two models at once really stretched me. 

 I’m not way saying that these are great paintings or great compositions, in some cases I’ve got the mixes horribly wrong or made drawing errors and in others I’ve just run out of time. It takes concentration for me to get this much down in the time and the odd week that I fell back to plain old charcoal or whatever and drew a shorter pose seemed like a holiday. However as an exercise I’ve found it really challenging and rewarding and I’ll be back next Autumn to continue trying to improve and working out what to do with backgrounds! 

Why don’t you take the double life art challenge too? 

 All of the poses are 45 or 60 minutes and painted in oil on Arches Oil paper (stocked by Bristol Fine Art), this is all on the same white paper despite appearances from my variable photos below. I’ve generally used the Zorn palette (cadmium red, yellow ochre and black which acts as a versatile blue!) and supplemented with other colours as the pose dictates.

 













Yay, new term at #lifedrawing has started

I didn’t go to the Summer term and had forgotten how much I enjoy the Bristol grammar school life class.
Just drawing or painting in whatever style takes your fancy and about 80 other people all doing the same whose work you can nose at in the break.

Here are my efforts from this week, all 15 mins, not that it matters.

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And for further inspiration I went to the RWA 100 years exhibition and sneaked a photo of this Bernard Dunstan nude, beautiful greens in the skin. Well worth a visit and you can marvel at the Gromit queues at the same time.

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Might try painting next week.