Marina Painting this Weekend (5-6th Aug) and my Summer Painting Tour of Britain

This weekend I’m really excited to be taking part in the Marina Arts Trial in Portishead, I’ve had a small part in organising it along with the other Portishead Arts people and will be doing a demo on Saturday, wish me luck. Saturday is all about people coming along and joining in to do something arty. We’ll be supplying acrylic paint, boards and brushes, there’ll also be felting workshops and a pastel demo by Michelle Lucking. We’ll be hanging all the work around the Marina ready for Sunday which will be a day of celebration and relaxation for me as I won’t have to do a demo. I’m really looking forward to Paris, a renowned graffiti artist, painting a 25 foot yacht! I might do a painting of him painting. There’ll also be some skateboard trickery, the whole weekend is also raising money for youth projects in Portishead, you can pledge to buy one of the created art works online here, get in quick to bag a bargain, there are a limited number left.

Here’s a Marina painting from June.

Sunset catching Marina

Apologies for it being such a long time since the last post. I’ve been doing plenty of outdoor air painting all around the country, I only realised how much while writing this.

I had a quick trip in June to Lyme Regis on the South coast to paint with the very talented painters Maria Rose and Tom Stevenson.

Pink Flamingo, Lyme Regis

 

I’ve long heard about the Buxton Spa Prize competition and this year I had an opportunity to take part. I spent a warm, sunny day painting outside in the most gorgeous market town. The visit coincided with a farmers market that kept me well fed for the next few days too.

Buxton

 

I spent a weekend at Priddy folk festival at the start of July, a chance to paint and sketch some performers as well as the crowds.

I went from there to a one day course with artist Richard Pikesley NEAC and by contrast painted some arable farm scenes in Wiltshire and picked up some tips too, mostly look harder!

Farmyard and Barley

 

I then had an opportunity to paint on the Gower with a load of other artists. The weather was so changeable I was oblivious to a red sunburnt neck until it was too late, the drizzle was deceptive. Apparently it’s not enough to have sun-tan lotion in your bag at your feet, you need to put it on your skin.

Worm’s Head, Gower

 

Last weekend I took part in Pintar Rapido, Europe’s largest outdoor painting event that runs annually in the Chelsea area of London. I did a little painting of the Albert Bridge in Chelsea on the day before that I was pleased with despite having left my turps at home.

 

Albert Bridge Chelsea

The prize ceremony on Sunday was a great opportunity to meet up with artists that I’ve previously only known through social media, one of whom Adam Ralston I’ve admired for a long while and I was very pleased when he was announced as the ultimate winner. Congratulations Adam.

More painting trips are coming up, look out for a bit of Cornwall followed by a bit more Wales. I can’t wait and I hope to see some of you this weekend.

Also don’t forget the Clevedon Art Club Open exhibition which opens and I’ll hopefully get some work selected for, perhaps some of these.

Don’t forget you can also follow me on twitter and on Instagram @ianpriceart as well as Facebook @ianpriceart or just browse the updated galleries on my website.

My Open Studio Weekends in Portishead

I’ll be opening my studio for North Somerset arts week again 11.00am to 6.00pm over the May Day Bank Holiday weekend (including BH Monday) and the following weekend, 29, 30 April, 1,6,7 May.

Hopefully there is something for everyone to enjoy, come along to browse, chat, listen, eat, drink or explore…

As in previous year’s Black Nore lighthouse will be open for visitors to climb inside during the afternoon while I’m open. This is accessible via the garden and I’ll be selling tea and cakes in support of its upkeep.

I’ll have many new plein air oil paintings of the local area and from further afield on show for the first time as well as a new studio paintings. Much of my new work is exploring the fast changing light at dawn and dusk.
I’ll also be showing some examples of my portraiture including a painting of my son that was recently preselected for the Royal Portrait Society show.


Lois Pryce (no relation) will be exhibiting with me for the first time. Lois paints local scenes, still lives and life studies in a bold expressive style that I hope you will enjoy.

Also I’ll have Raku pottery by Brian and “Nibs” Fowler, they’ll be exhibiting a range of vessels, bowls and figures that show this exciting medium off to the maximum. If you’ve never seen the Raku process before it’s fiery and unpredictable, there will be a couple of Raku burnings in the garden on the final Sunday when you’ll have an opportunity to scrub off the carbon yourself and reveal what the process has created.


Finally I’ll be showcasing some estuary soundscapes by a local producer Dave Howell to add to the atmosphere. When that’s not on I’ll be playing a bit of vinyl on my turntable, or LPs if you are my age.

So something for everyone, hope to see you there.

Thanks

Don’t forget you can also follow me on twitter and on Instagram @ianpriceart as well as Facebook @ianpriceart or just browse the updated galleries on my website.

Clifton Suspension Bridge and More

I’m exhibiting work at the Clifton Suspension Bridge Visitor Centre with Clifton Arts Club, it’s a great space and it runs until Sunday the 1st of April. I’ll be there Sunday afternoon if you want to say hi, it’s open from 10 to 5pm and is free.

It’s been a while since I’ve posted but I have been out painting over the Winter and to prove it I’ve just updated my Landscape gallery, take a look here. I’ve also broken it down by area, Wales, West etc. Any comments welcome, I’ll be updating the lifeless and portrait galleries in the next few days too.

I’ve got lots of new work to show at the North Somerset Arts week which is coming up in the next month. The paper brochure is already out and it should be downloadable from the NSA site shortly. I am exhibiting from my home “studio” in Portishead again on the Sat 29th, 30th April, 1st May (Bank how Monday) and the following weekend 6th, 7th May.  I’m easy to find as I’m last in the brochure! I’ll be exhibiting with painter Lois Pryce and Brian Fowler who creates beautiful raku and pit fired pottery, More news on this shortly.

Thanks

Don’t forget you can also follow me on twitter and on Instagram @ianpriceart as well as Facebook @ianpriceart.

Selected for ING Discerning Eye for Third Year

I’m very proud to share that I’ve had a painting selected for the ING Discerning Eye exhibition in London for the third year in succession. My selected work is an oil painting of a peat black ploughed field from a weekend on the Somerset Levels in the Spring.

The Discerning Eye annual exhibition is a show of small works independently selected by six prominent figures from different areas of the art world: two artists, two collectors and two critics. This gives the impression of six individually curated exhibitions with separate personalities. They always have a “celebrity” collector, this year it is Celia Imrie. It’s alway interesting to see who has picked your work and how it fits in on their wall.

It was originally supported by the late Brian Sewell who thought that small works were often overlooked in the art market.

Here is this years work along with my previous submissions and private view photos. (Note to self, work harder to avoid appalling glare in photos!)

 

Click the links for the posts about the 2015 and 2014 exhibitions.

It’s well worth a visit if you are in London but if you can’t make it then don’t forget that you can see my work at the Portishead Lido cafe again in a few weeks from the 25-27th of November. I’ll be exhibiting again with the Portishead Arts group.

The 2016  Discerning Eye Exhibition will be open from Thursday 17 November until Sunday 27 November, between 10am and 5pm daily, at the Mall Galleries, The Mall, London SW1, just to be clear that I’m not talking about a Bristol shopping centre. Admission will be free and all the works will be for sale.

Group Show at the Lido Cafe in Portishead & more

I’m excited to be taking part in the inaugural show of a new groups of artists and painters in Portishead that go under the banner Portishead Arts. We  have a
website where you can find details of the other artists involved.

Portishead Lido flyer

There’ll be a great range of work on show including painting, photography, jewellery and illustration so come along and enjoy a slice of cake and perhaps even have a dip in the Lido.

The show will be on for over a week from Thurs 22nd to Friday 30th of September the lido is open 9.30 to 6.30 every day (later on Monday mornings I think), I’m planning on stewarding on both the Fridays, I might take my painting kit along to paint the estuary in any quiet periods, so come and say hello.

For this show I’m focussing on local scenes, pretty much all painted within a mile of the Lido. My painting of the lido is the top right image on the flyer above.

Here’s a recent one painted after a last minute decision to walk down and catch the last light at Black Nore lighthouse. I’m so pleased I did, once again I was painting over a failed painting so it was doubly therapeutic, I’m so lucky to have this on my doorstep.

Last Light Black Nore

Last Light Black Nore 10 x 12 inches

As well as these outdoor paintings I’ll have a couple  of larger works that were painted back in the studio, such as Winter Wave.

IMG_2873

Ian Price Winter Wave 24 x 24 inches

The Autumn is always an exciting period with so many shows on, I’m lucky enough to have had a painting selected for the ING Discerning Eye exhibition at the Mall Galleries in London which is coming up in November. More news in the next post!

I hope to see you at the show. Don’t forget you can also follow me on twitter and now Instagram @ianpriceart as well as Facebook.

Everything has gone green

I’ve previously favoured a muted palette so at this time of year with all this lush, verdant growth wherever you look I feel a bit intimidated.

My theory is that evolutionarily we are programmed to discern differences in the many shades of green to help guide our ancestors to sources of food and water. Also green in Spring is especially acid. How many works of art can you think of that accommodate the true strength of these greens? It’s very easy to foul up a painting that includes green.

Many artists today (myself included) and throughout history have worked around this by downplaying the true strength of green to ensure a harmonious picture. Even Constable browned down his greens.

Gone Fishing, Usk Reservoir

Gone fishing. Avoiding green at Usk reservoir in the Brecon Beacons.

I decided to try to focus on this weakness, tackle it head on and paint more green, more strongly.

I sought some advice from artists about how they made such strong and believable greens. Mix your own greens from warm and cool blues and yellows, avoid viridian, practice with sap and hookers green and use premixed light green moderated with earth colours came the conflicting advice.

Here are more of my recent plain air paintings, my main finding is that the right green can be arrived at by many different routes but the important thing is to maintain the true variety of greens across the painting by careful observation. Sadly its easier said than done, I’ve not found a silver bullet and more practice needed.

There’s no better way to practice your greens than to paint outside at this time of year.


A bit more green, Liberty leading the trees, also at Usk reservoir.
I also had a green disaster at Carreg Cennen castle. Total rework needed, no image to protect your eyeballs!

 

Friesans, Catcott


An improvement, Friesans on the Somerset levels. Also some camera glare, may crop this one.

Some views around the Hope Valley in the Peak District including Castleton castle. There’s plenty of variation in green between these paintings but plenty more to do.

I hope you’ve enjoyed this. You an also follow me on twitter and now Instagram @ianpriceart

2015 round up

I’m not a great fan of those round robin Christmas letters so I’m writing this with some trepidation. However 2015 has been a year of some progress so I thought it would be worth reminding you of news and any earlier posts you might want to look back on by clicking the links.

It was a year of two (unequal) halves a flurry of painting followed by a cycle of exhibiting.

I began the year by doing quite a bit of plein air painting and went on a course at Newlyn School Of Art with Paul Lewin. The course as well as being enjoyable was also an encouragement to loosen up with mixed media. With hindsight I haven’t taken this as far as I anticipated but it was certainly an inspiration to be looser when painting outside.

This flurry of activity was mostly to get things to hang on the wall for North Somersets Arts Week. Once again it was great fun to have people coming through the house and I managed to raise £200 for Black Nore lighthouse by selling cards and Helen’s marvellous cakes.

The other main painting event of the year was the Andrew james portrait course which I’ve organised for a few years now and was a great success again fuelled by more of Helen’s cakes. I get a free course out of it and am still pretty pleased with my portrait of Viv.

I spent the rest of the year (well apart from life classes) punting these paintings around various juried exhibitions the highlights being the RWA in Bristol and the ING and rubbing shoulders with the Royal Institute of Oil Painters for the first time in London.

Dusk Tanker

Dusk Tanker, exhibited at the RWA

I’m especially grateful to the judges of the Clifton Arts Club Open for awarding me the prize of excellence (which also doubled as my entry for the ROI).

Clifton Arts Club Prize of Excellence

Thanks to Trevor Haddrell RWA, Ione Parkin RWA and Ros Cuthbert RWA, what. a discerning trio.

People ask about my organisation and preparation but it all boiled down to this little scrap of paper I used for shepherding my meagre resources and time, so it’s all smoke and mirrors really. If you can read my handwriting you’ll see there are some misses among the hits so still plenty to aim for in 2016.

The Masterplan! (the only plan).

The Masterplan! (the only plan).

I mentioned not freeing up as much as I wanted and I am looking forward to a return trip to Newlyn for a course focussed squarely on abstract painting in March. I’m obviously hoping that 2016 will bring as much pleasure as 2015 but to be honest if it brings as much I’ll be surprised and very happy.

Thank you very much for taking an interest and I hope 2016 is a successful year for us all.